We live in an overloaded present, where the immaterial dominates and information turns into constant noise. In this context, objects seem to lose their weight, substance, and sense of truth.
April 23, 2026
Reality moves quickly across screens: what we see is filtered and mediated, and matter itself seems to dissolve into images. Yet, within this loss of tangibility, a response begins to take shape: a return to materiality, to simplicity, to slowness.
It is in this landscape that the meeting between Relative Floors + Walls and the artistic research of Anke Blaue unfolds. A German painter and artist, she works with reclaimed antique linen, creating pieces that are minimal yet deeply tactile and sensorial. This is more than a dialogue; it is a conscious choice — to focus on what is essential, authentic, and alive.
Material
In Anke Blaue’s work, antique linen is not just a background, but an integral part of the language of the piece. Recovered and reassembled, it retains signs of use, discontinuities, and tensions — it is precisely this non-uniform condition that builds the image.
The material, never fully controlled, introduces depth and rhythm. Her practice originates in sculpture, between Carrara and Pietrasanta in Italy, and continues into painting while maintaining a strong connection to materiality. The surfaces are not only meant to be seen, but have a tangible physical presence. Her abstract work does not tell stories or depict recognizable images, but focuses on what it creates in space. It acts directly, transforming the atmosphere and making it more essential. It does not ask to be interpreted, but simply to be perceived.
“Imperfections bring my work to life,” says Anke. This is not an aesthetic choice, but the principle that guides her process. The same approach can be found in the research of Relative Floors + Walls. In collections of recycled stone tiles, such as Pigmento Consolare and Pigmento Compact, the material is not standardized but allowed to express variations and irregularities. Here, imperfection becomes the starting point.
Colour
If material is the body, colour is its voice. In Anke’s work, colour is never flat or final. It is layered, shaped by the texture of the linen. It doesn’t explain — it makes you feel. “I prefer simplicity and minimalism,” says Anke. “Colour is never flat; its nuances emerge from the material itself.”
In the Laguna ceramic collection by Relative Floors + Walls, colour also plays a central role. The watercolour technique creates variations that make each surface unique and unrepeatable. Colour interacts with space, transforming it and defining its character. In this sense, it becomes a direct tool for generating perception and resonance.
Silence
In a context dominated by constant stimuli, silence gains value. It is not emptiness, but a condition where experience becomes more intense and deeper. Anke’s works are born in this silence. They do not demand attention. They simply exist. “There is a lot of silence in these works. People speak of calm, of a meditative state.” It is an art that does not reveal itself instantly, but unfolds over time.
Tactility and Essence
If sight is today the dominant sense, touch becomes almost a radical act. To touch means to slow down and to truly connect with what is in front of us. Anke’s linen, with its seams and irregularities, invites a more complete perception: it is not only to be seen, but to be experienced. In the same way, the materials and textures of the Pigmento recycled stone tile collection by Relative Floors + Walls bring back a more sensory experience.
The recycled surfaces take on new life, react to light, change over time, and are meant to be lived with. In an increasingly fast-moving reality, what remains is what has substance. Not the perfect object, but the authentic one. Not what is new, but what is true. Although contemporary, Anke’s works feel somehow outside of time.
The same applies to Relative Floors + Walls: the goal is not to follow trends, but to create objects that endure and retain their authenticity over time.
Beyond the Visible
From the dialogue between Relative Floors + Walls and Anke, a clear vision emerges: to make space more tangible and sensory. Here, material and color are not just aesthetic elements, but tools that allow us to truly perceive our surroundings. Space is no longer just form or function — it becomes an experience. Material, colour, silence: three elements that together restore depth in an increasingly fast and immaterial world. Perhaps today, what truly matters is this: to feel again.









